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What makes a woman 'bad' is commonly linked to certain 'qualities' or behaviours seen as morally or socially corrosive, dirty and disgusting. In Bad Girls, Dirty BodiesGemma Commane critically explores the social, sexual and political ificance of women who are labelled 'bad', sluts or dirty. Through a variety of case studies drawn from qualitative and original ethnographic research, she argues that 'Bad Girls' disrupt heterosexual normativity and contribute new embodied knowledge.
From neo-burlesque, sex-positive and queer performance art, to explicit entertainment and areas of popular culture; Commane situates 'bad' women as sites of power, possibility and success.
Through the combination of case studies Ms T, Empress Stah and RubberDoll, Mouse and Doris La TrineGemma Commane offers a challenge to those who think that sexual, slutty, bad, and dirty women are not worth listening to. ificantly, she unpicks the issues generated by women who are complicit in the subjugation, policing and marginalization of 'other' women, both in popular culture and in sites of subcultural resistance.
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Close Preview. Bad Girls, Dirty Bodies 2. Bad Girls Happen to Things 3. Magnification and the Unknown 4. Commodification of Cult and 'Alterative' Femininities 6. About the contributors. Related Titles. Bad Girls, Dirty Bodies. Gemma Commane. Deleuze and the Schizoanalysis of Feminism. Cheri Carr. Erotic Love in Sociology, Philosophy and Literature. Finn Bowring. Poetics of Deconstruction. Lynn Turner. Philosophy and Vulnerability. Matthew R. Becoming Beauvoir. Kate Kirkpatrick. Philosophical Posthumanism. Francesca Ferrando. Nietzsche and Friendship.
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Bad Girls, Dirty Bodies